Iconography Apprenticeship Year 1
Term: Yearlong 2021–22, September 7–May 27
Target Grade Level: 7+
Schedule: 1x / week, 90 min.
Section 1 (Grades 7–12): M 2:30 p.m. ET with Randi Sider-Rose
Section 2 (Grades 7–12): M 4:15 p.m. ET with Randi Sider-Rose
Section 3 (Adults): T 4:15 p.m. ET with Randi Sider-Rose
While our courses are no longer available for purchase on the website, St. Raphael School is open to inquiries about enrolling in courses at any time during the year. If you wish to enroll in a Yearlong course for the 2020-2021 school year after the official add/drop deadline (September 21), you will need to contact us directly. We will consider each request on a case-by-case basis after considering several factors, including size of the class, the preparedness of the student, the willingness of the instructor to accommodate a late addition to the class, and the content of the course. If you would like to submit a request for enrollment in an ongoing course, please visit our Contact Us page.
Iconography Apprenticeship Year 1 is the first of a 6-yearApprenticeship Program. This course is for students wishing to begin the process of fully training their skill as an iconographer, rather than those seeking to try it out. (For a shorter introduction to iconography, see the 10-sessionIconography Workshops.) The Apprenticeship Year 1 focus will be on faces, and students will complete an Icon of the Holy Face or, in the Adults-only section, the faces of the Theotokos and Christ child. As with the Workshops,the Apprenticeship Program approaches icons as a “prayer of the hands” and uses the traditional medium of egg tempera and gold leaf and, after the first year, hand-gessoed traditional boards. Students who take this course receive instruction in both the theology of iconography (sometimes called icon writing to stress the kinship with theology) and the artistic practices intrinsic to traditional iconography.
The Apprenticeship is “skills-based,” meaning we will do plenty of preliminary exercises to learn and internalize the skills before applying paint to the board. Since iconography is a living tradition, students will learn about the dynamic relationship between using historic models and understanding for themselves the aesthetic principles of iconography. Therefore students must gain an understanding of color, composition, the iconographic “style” as it manifests in facial features,etc., and how to “draw on the right side of the brain.”
Parents who have school-aged students in this class are invited to be as involved as theyare able, including helping their student with the materials, even extending to working alongside their student if they wish. If a parent wishes to actually be a student themselves, including having a webcam pointing at their work, submitting assignments,and receiving feedback, they are invited to sign up for Adults-only Iconography Apprenticeship Year I section. (Non-parent adults are also welcome in the Adults-only section.)
Apprenticeship Year 1 Students will work toward the demonstrable goals of drawing faces in the byzantine style including using geometry,highlighting a face from memory,and being able to name the steps of painting and types of paint application. The10-session Iconography Workshops are not prerequisites but can be taken in advance of or alongside the Apprenticeship Program.
If you are intrigued but unsure about the prospect of beginning iconography before adulthood, please see Mrs. Sider-Rose’s article, “The Holy Practice of Iconography: Why Start Young” (scroll to page 8). For more information about Mrs. Sider-Rose’s studio and approach to iconography, please visit her website: www.immanuelicons.org
- No prior artistic experience is expected or required, but fine motor skills and an ability to follow directions and keep their supplies organized are important.
- In addition to weekly classes, students should expect about 60-90 of homework between classes. This homework may include a continuation of the painting begun in class or a small amount of reading, as well as the discipline of weekly sketchbook assignments.
- Students will need to purchase a second webcam and various art supplies (see Course Materials). The Apprenticeship Program will require a few additional supplies over the Iconography Workshops, including gold leaf.
- Each student will complete a larger written or artistic project in the Spring.
- Iconography I is open to committed students in 7th grade and over, including adults.
- Students do not in any way have to be trained in art, but should be able to draw a face with eyelids, eyebrows, nostrils, etc., in any style. If you have questions about whether your student is ready, please e-mail the instructor a drawing sample.
Iconography Apprenticeship Scope and Sequence
The student who is able to meet the measurable goals of Iconography Apprenticeship Year I, with its focus on Faces, can look forward to a sequence of classes in the Apprenticeship Program, each of which will build on the foundation of the year before. In brief, the levels are:
Iconography II: The Face, Turned
Iconography III-IV The Bust Figure
Iconography V-VI-Turned and Standing Figures
- Second Webcam and Flexible Arm: Students must purchase a second webcam to point at their workspace so the instructor can observe them as they work. The webcam built into the computer functions as the first webcam.
- Drafting Kit: Here is the recommended drafting kit from Amazon.com. You may also purchase the individual items: triangle, compass, spacer, and ruler, from other sources and in larger sizes, if you choose.
- Required Course Texts (From a Publishing Company in Russia):
- Divine Images pdf which will come immediately from a Russian company to your in-box as a PDF. Upload the pdf to https://www.printme1.com/order and order through page 289 (or the whole book, if you prefer) in color and with a binding. A hard copy is required as we will be tracing and otherwise working with the physical pages of this book.
- Art Supplies from any source, including dickblick.com
- #1 tapered round, Isabey red sable series 668
- ½-inch flat for gilding: ½” flat
- #4 Princeton round
- #6 Princeton round
- #2 Princeton liner
- Tracing paper
- 9×12 cradled ampersand claybord (Any students able to take a 2021 Board Building for Iconography Summer Course may skip this purchase) You can also choose to get a traditionally hand-gessoed board from any source in a proportion 3:4 or taller, suitable for egg tempera iconography, but this is not required. (Please check in with the teacher about this last option.)
- 5×7 plates of glass (all ages class purchase 3 of these; Adults-only level 1 class please purchase 6)
- Plastic palette, 10-well w/cover. (You are welcome to substitute in a porcelain palette, but this is the budget option)
- Pack of 8 storage containers
- Colored pencils:
- Toned pad of paper
- Dropper and bottle for storing and dispersing the egg emulsion
- JoSonja All-Purpose Sealer (omit if you are getting the optional shellac below)
- Household Supplies: At lease two weeks before the course begins, the instructor will send a welcome letter that includes a list of the things that students will need to gather from around the house (paper towels, jar for water, egg, etc.). You will also need Dawn brand Dish soap to clean their brushes after the different stages of gilding.
- Optional Shellac Purchase: If you purchase or make a traditional, hand-gessoed board instead of the Ampersand Claybord, you will need Shellac (clear) for gilding traditional boards. Shellac is also helpful for sealing and protecting the glass after we paint on it (to practice the layers), but it is not a required purchase.
*Required materials are not included in the purchase of the course.
Randi Maria Sider-Rose began painting icons over 20 years ago, when she received a grant to travel to learn from different teachers and studios. Since then, she has married Michael Sider-Rose, completed an MDiv, and begun homeschooling her 4 children. Though she spends most of her studio time on commissions for churches and individuals, Mrs. Sider-Rose also has a real passion for teaching iconography to all ages and loves to walk with students on the journey of learning to see better and more intentionally, using this “prayer of the hands” to grow in holiness, with God’s grace. Mrs. Sider-Rose and her family attend St. Moses the Black Orthodox Mission Church in Pittsburgh, Pennsylvania, where she has been blessed by His Grace Bishop Thomas to serve in the ministry of iconography. E-mail: firstname.lastname@example.org
For more information about Mrs. Sider-Rose’s process, please visit her website at www.immanuelicons.org.
High-Speed Internet Connection: You will also need access to high-speed internet, preferably accessible via Ethernet cable right into your computer. Using Wi-Fi may work, but will not guarantee you the optimal use of your bandwidth. The faster your internet, the better. We recommend using a connection with a download/upload speed of 5/1 Mbps or better. You can test your Internet connection here.
Two Webcams: You may use an external webcam or one that is built in to the computer for your first webcam. The second webcam must be able to be pointed downward at your painting work surface so the teacher can observe your work.
Headset: We recommend using a headset rather than a built-in microphone and speakers. Using a headset reduces the level of background noise heard by the entire class.
Zoom: We use a web conferencing software called Zoom for our classes, which enables students and teachers to gather from around the globe face to face in real time. Zoom is free to download and easy to use. To download Zoom:
- Visit zoom.us/download.
- Click to download the first option listed, Zoom Client for Meetings.
- Open and run the installer on your computer.
- Students will be provided with instructions and a link for joining their particular class.
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